Techno Vinyl New Releases

With the launch of Flirt, Alarico distills the essence of his current techno vision while sketching its next phase.
This is techno stripped to its most instinctive form: rolling basslines, teasing vocals and seductive rhythms with hints towards deeper and more melodic realms.

Phil Berg is back on the label, with his highly anticipated return. Four tracks that
continue to pave the way he laid in 2023 with his Raid EP.

Titled Iso, the EP is a study in reduction and discipline. Phil builds each track around a single guiding tension, rhythmic loops that breathe and shift injecting different emotions as each sound passes.

Phil Berg first appeared on SK11 in late 2023 with Raid, one of his biggest and most accomplished releases to date, an EP that made an immediate impression across techno fans worldwide. Iso's four productions here, each with their own identity, each showcasing the same commitment to craft and precision that defined his introduction to the label.

The EP is a statement of intent for Phil in 2026 and one of SK11's strongest releases of the year.

2026 Repress

Techno mainstay Gary Beck drops hugely sought-after cut 'Hopper' on SHDW's Mutual Rytm sub-label Spectra, with remixes from KiNK.

Glasgow-born Gary Beck is a primary figure in techno and has been for well over a decade. Dropping seminal
underground classics and cultured full-lengths on an array of leading labels, as well as his own BEK Audio imprint,
he has also led the way as a revered DJ as his legacy continues to build. Now, adding to his standout 'Upside
Criminal' EP as well as his well-received track 'Fold' on the 'Federation Of Rytm III' VA, he returns with a record that
has often featured in both his and Mutual Rytm boss SHDW's sets, stepping out on the label's Spectra series with
a cut that has long been sought-after by those who know.

A spontaneous studio moment turned club weapon, the timeless 'Hopper' merges a syncopated disco bassline with
subtle nods to funk and classic dancefloor energy. It's one of those tracks that lingers in your head long after the
night ends - a pure embodiment of Beck's raw energy and production finesse built on an infectious groove full of
contrast and character.

Bulgarian synth wizard, hardware genius and tireless innovator KiNK delivered Spectra's inaugural release, so he
lands as the perfect person to remix. His first interpretation stays close to his roots with a house-leaning, slowed
down take that channels warmth and groove in equal measure. On the B2, however, he flips the script with a high
octane fusion of techno and UKG. It's a peak-time anthem engineered to ignite dancefloors and closes out a
standout EP with the third release in the Spectra catalogue.

Gary Beck 'Hopper' drops via Mutual Rytm Spectra on 20th June 2025.

2026 Repress

Portuguese techno force Lewis Fautzi debuts under his own name on Mutual Rytm with ‘Beneath The Surface’. Hailing from Barcelos, Portuguese maestro Lewis Fautzi has carved out a formidable reputation through a run of uncompromising releases and a sound rooted in tension, precision and raw power - exemplified by his recent outing on the agenda-setting Hayes Collective. He has previously established his fierce, potent sound on Soma, PoleGroup, Mord, and a number of other influential labels, while also heading up Faut Section. Having previously appeared on Mutual Rytm’s Federation Of Rytm III compilation under his Non Cyclic alias, he now steps out on SHDW’s label with a six-tracker busting full of impactful techno cuts. The heavily-requested ‘Beneath The Surface’ opens the EP with menacing low-end and tightly coiled pressure that's released through simmering valves and hissing synths. ‘The Hollow Cycle’ brings a loopy, tunnelling groove with a snaking lead and snaking metallic percussion, while ‘Inner Mechanism’ keeps things dark, deep and driving with a backlit glow that pulls you in. ‘Nonlinear Form’ is streamlined deep techno that fizzes with texture, spraying chords and a rumbling sub-bass, while closer ‘Anamorph’ rides meticulously designed broken beats with an ever-present sense of bass-driven foreboding. For digital purchasers, sparse and eerie bonus ‘Surface’ slams down with industrial weight and real warehouse grit, shaping up another weighty offering for the label.

2026 Repress

ANNE and Sera J close their Symbiosis series on Mutual Rytm with third and most refined EP yet.

This final chapter reflects everything the collaboration has stood for across a trio of inventive techno releases on SHDW's imprint. Creative and life partners ANNE and Sera J have been two voices growing in parallel, evolving separately but moving with the same pulse. ANNE is well established thanks to standout EPs on the likes of Soma and Hardgroove, while Sera J has released on the likes of Life in Patterns and Renegade Methodz, and both have featured on Mutual Rytm's 'Federation Of Rytm' series before now. 'Symbiosis III' is the moment where everything comes full circle: the culmination of a journey built on respect, creativity, and the freedom to explore their own paths while lifting each other forward.

Sera J kicks off with 'Ransomware', a commanding and driving techno cut lit up with flashy synths but always moving with urgency. 'Phosphate' keeps the energy levels high with stripped-back drums and bass designed to perfection, while 'Anthrax' has an anxious edge. The synths are wispy but evocative as bass kills and swiping filters bring the drama.

ANNE then ups the ante with the acid-tinged 'Dementia', which is loopy and unrelenting before 'A Taste of a Real Woman' gets more seductive with a sultry spoken word and sustained chords that bring the paranoia. 'Heart Rate' is propulsive with Detroit-style synth soul and an aching vocal, before Sera J returns with 'On the Run' - a percussive, trippy and eerie roller. His final Cut 'Similar Minds' has a searching synth surveying a desolate landscape, before ANNE then closes the EP with the punchy drum patterns and icy hi hats of 'Primal Howl Of Ego' and a blend of deep drums and evocative synth work on the 'Analog Heartbeat' - which proves potent techno can be beautiful.

For the sixth release on their imprint, Voodoos and Taboos deliver “Other Land”, a 4-track EP showcasing their signature blend of diverse sonic landscapes. The record flows seamlessly through 90s-inspired Progressive House, sharp Electro, atmospheric Breakbeat, and clinical Minimal-Techno, balancing driving peak-time energy with deep, futuristic textures. A versatile 12″ designed to bridge the gap between different club aesthetics with high-fidelity precision.

2026 Repress

2026 Repress

SHDW & Obscure Shape offer up their first EP on new imprint Mutual Rytm as they drop five fresh and expansive techno cuts across their 'Poetic Justice' EP.

A duo that has ascended to become leading names within today's techno landscape, SHDW & Obscure Shape continue to grow and evolve while shaping their own unique sound fusing classic influences with a modern touch. Their latest project saw the birth of Mutual Rytm - a new imprint launched in early 2022 set to showcase a deep dive into the duo's musical roots via their own productions alongside material from the label's close family of likeminded artists. Following the label's opening multi-artist VA and the first solo EP from Berlin's Lars Huismann, June welcomes the first solo instalment from the label founders themselves as they ready a killer five-tracker set to make an impact.

A1 'Turbulence' sets the pace as the duo delve into nimble rhythms which ebb and flow effortlessly to reveal a hypnotic slice of modern techno permeated with classic, old school cues, while 'Pulse' takes up a darker aesthetic, keeping the energy high as metallic drum licks guide driving sub-bass and resonant stabs. On the Bside, title cut 'Poetic Justice' balances warping vocals with swinging percs amongst a layered, drum-laden kinetic
workout, exemplifying the duo's drive for combining and contrasting various shades of techno. Next up, 'Set It Off' welcomes the introduction of expansive melodies to offer an entrancing late-night cut, before turning to the unhurried grooves, salient hats and sweeping atmospherics of 'Killing Me Softly'.

Digital bonus 'Before Sunset' once again delves into lighter, breezy territories while keeping the classic rolling
techno touches throughout, shaping up the package with a powerful yet agile closing production.

2026 Repress

Pianeti Sintetici ('synthetic planets' in Italian) is a new conceptual project by Davide Perrone (Primal Code) that draws inspiration from the factories of Magrathea, a planet in Douglas Adams' classic space opera The Hitchhiker's Guide to the Galaxy, where artificial planets are manufactured on commission.

'This concept has always fascinated me, and I chose the name to frame a hypothetical future of synthetic worlds, told with sound,' Davide says. 'I like to imagine the howls of creatures inhabiting solar systems outside our own. Rarefied atmospheres, alien sequences, and unfamiliar tonal scales. So, I see Pianeti Sintetici as an open-ended design research project where I can explore these inspirations.'

Esplora I ('explore') is the first record in a trilogy scheduled for release in 2023. It comes wrapped in a custom-cut embossed sleeve adorned with a captivating interpretation by Hypnus' visual artist Gabriella Holmstrom.

Early support from Brando Lupi, Iori, Takaaki Itoh, Unjin, Eric Cloutier, Forest on Stasys, Konduku, and Saphileaum.

2026 Repress.

In honor of the January full moon, 2016.

Supported by Alan Backdrop, Claudio PRC, Ness, Svreca, Antonio de Angelis, Arnaud le Texier, Exium, Kwartz, Takaaki Itoh, The Noisemaker, Unam Zetineb, Vilix, Oscar Mulero, Eric Cloutier, Conrad van Orton, Acronym, Felix Lorusso, Jose Pouj, Nihad Tule, Nobody Home, Brando Lupi, Brendon Moeller (Echologist), Francois X, Gianluca Meloni, Artefakt, Iori, Rasmus Hedlund, Reggy van Oers, Retina.IT, Stefan Vincent, Antonio Ruscito, Sam Kdc and more.

2026 Repress

Introducing Fuse Imprint - The New Record Label from Fuse Club, Brussels

Fuse Club, the beating heart of Brussels' techno scene, is thrilled to announce the launch of its new record label, Fuse Imprint. Known for its cutting-edge music and unforgettable nights, Fuse is extending its influence beyond the dancefloor and into the realm of music production. The label aims to be a platform for both emerging and established artists, showcasing the best in techno and electronic music.

The inaugural release is a dancefloor-focused EP by Altinbas, aptly titled "Reshape". As a resident DJ at Fuse Club, Altinbas has been instrumental in shaping the club's sonic landscape. His new EP encapsulates the essence of a Fuse night - intense, immersive, and irresistibly danceable.

2026 Repress

2026 Repress

With Moving Pressure 02, Rene Wise allows us to dip into a psychedelic undercurrent, yet maintaining a very grounded mentality. Its an effortlessly rolling type of minimalism, but lets be clear; its a type of minimalistic spirit backed up by a rich, kaleidoscopic sound design. MP02 is an immersive batch of mystical dance floor journeys which, in four steps, navigates the realms of gaseous sound design to more subaquatic dynamics, working with a palette of serpentine rhythms that pull us into his distinctive, subtly hypnotic world.

A1 Silo Cybin opens the release with the artists unmistakable kick drum pattern, the heartbeat of his sound. Theres a trippy, swampy energy here, enhanced by robotic vocals and broken claps that weave polyrhythms into the track. The minimalist core pulses with playful energy, while detailed textural elements softly emerge like a waves bubbling foam. Up next we have Complicated, which offers a more minimalist composition, yet injected with rich rhythmic structures. Small circular modulations swirl in the background, filling the air with a delicate yet persistent energy, while his signature vocal snippets further enhance the groove. On the B side, Rough Escorts taps into a brighter psychedelic dimension, conjuring the ethos and trademark of Moving Pressure as a whole. Listen closely a fine connection to Wises previous work on MP01 shines through, maintaining the sonic coherence of the project while pushing further into a lush space. B2 Bleep Police, dives into dystopian bleep territory. Here, the artist strips techno down to its essence, intertwining bleeps with percussion into a hyper rhythmic whole.

A living organism composed of intricately layered sonic structures. A variegated interplay of texture and rhythm. Multi dimensional sound. Welcome to Moving Pressure 02.

These tracks span a whole decade. bOkOr and Cannibal 2012 were made around the time feroX released the infamous Gargoyles EP on Black Acre, which was hammered by everyone from Skream to Gilles Peterson at the time.

Pulled off a defunct hard drive, resurrected and remastered. Complete with two new tracks the mighty Mondo! Mondo! and Aum, we have another ground-breaking, genre defying EP for 2024. We are proud to have had support on promo from Richie Hawtin and Marcel Dettmann on this release, which speaks volumes for its quality.

2026 Repress

After a five-year hiatus, JKS makes a triumphant return to the iconic French label Molekul with a highly anticipated solo EP. Leading the release is the standout track, The Cult, a testament to JKSs evolution while staying true to the essence of his sound.

Built for the club, The Cult channels an undeniable sense of power through its driving rhythms and immersive energy. The tracks tribal undertones create an
almost ritualistic atmosphere, pulling dancers into its pulsating core. With expertly layered textures and a commanding structure, The Cult keeps the momentum
unrelenting from start to finish.

True to his roots, The Cult brings a distinct old-school vibe, laced with a plurality of influences that have defined his sound since the beginning. Its a journey through raw rhythm and immersive layers, a bridge between past and present, aimed squarely at making people move.

2026 Repress

Founded by Rene Wise, Moving Pressure is a record label aimed to explore the immersive dialogue between soundsystem music and the human body, celebrating the profound connection of sound and movement.

As the inaugural release, Moving Pressure 01 serves as a sonic diary showcasing Rene Wise's music storytelling. Each track on the EP contributes to a harmonious blend of innovation and restraint, inviting listeners to embark on a captivating journey through the artistry of sound and rhythm. Sometimes, it's the space between the notes that resonate the loudest.

2026 Repress
30 years of Fuse means 30 years of road paving.

An ode to the past and a hint to the future, Fuse shares this milestone with its original guests from 1994 all the way to its fresh party goers of the past years as a promise to keep its dance floor focused on quality music and timeless moments.

In over a quarter century, the Brussels club has stood the test of time by rooting itself in ageless music and employing pioneering artists - large or small, international or local - to command the decks of Belgium's longest running dance floor. A celebration of this legacy and the renewed imprint is in order, coming in the form of a 30 track compilation of techno's best and brightest from around the world. One track for one year, this collection of recordings highlights the status quo of enduring club music, beginning with a nod to the past: a re-release of Jeff Mills iconic 'Step to Enchantment' from 1993. This glance to the past quickly shoots us forward into the current state of techno with legendary artists like Planetary Assault Systems, DVS1, Steffi, Rodhad, Donato Dozzy, DJ Nobu and many others who headlined the club in recent years. Cementing itself as a respected escapist institution, Fuse also calls on its growing local scene to prove why Brussels continues to remain a reference in the scene even outside of its own borders.

Repress 2024

Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now classic original. Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats before unleashing loose, clattering breakbeats after a striking, extended breakdown. SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect groove. Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky, chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever. M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get Physical 12” in late July with a digital release following in the Autumn.

2026 Repress

'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years. RIYL Alessandro Cortini, William Basinski, The Caretaker.

While sifting through archived material left idle from earlier projects, a chance encounter with a late uncle’s trove of beloved 78rpm classical and opera records prompted the reworking and completion of what would eventually become the album. Spinning dusty records at 33 and 45rpm, Abul Mogard recombined their enduring spectres with unfinished sketches from his archive. The resulting soundscape blurs distinctions between his memories and those of another, exquisitely short-circuiting the senses with its waking, dream-like lucidity.

This was a process I hadn’t explored in my earlier works. I began sampling brief moments from these records, altering them with studio effects and playing them at slower speeds. In many cases, I wasn’t entirely sure how the original music sounded. These fragments, once further processed, became a source of inspiration for my new compositions. Over time, I realised that the old pieces from the archive and the new material derived from the samples naturally complemented each other.”

The resulting pieces hover over a threshold, a liminal space that harmonises the old and older material. Voluminous waves of quiet and loud undulate between consonance and dissonance, conjuring imagery of a decaying grandeur that humanity’s decadence has surrendered to the elements. Abul Mogard’s seemingly abandoned yet vast landscapes are nevertheless intimate with timbral frissons of red-lined distortion. Elusive, yet as tangible as sea spray or smog, they affect the olfactory senses with a rarified, synesthetic quality that modestly engages one’s emotional register – a hypnotic, distinguishing feature long hailed as one of the hallmarks of his work. A fidelity to memory and dream recall is sensitively probed in the journey from the stately symphonic stasis of 'Following a dream' to the almost industrial, untethered brutality evoked by a looming silhouette that’s never fully visible in 'Constantly slipping away', culminating in the foreboding coda of 'Like a bird'. Those pieces appear to shield the album’s sentimental core, where the tempestuous play of light and shadow of 'In a studded procession' escalates to breathtaking, panoramic climax, while 'Through whispers' evokes an out-of-body-like experience encountered with visceral poignancy.

Looking back, Mogard notes an unexpected influence: “I realise being inspired by Phill Niblock, whose work I had barely known at the time but explored after his passing in 2024. His album 'Boston Tenor Index' changed the way I approached dissonance. It encouraged me to push my sound further, to the edge of a space where I began to feel uncomfortable.”

The album artwork, created by longtime collaborator Marja de Sanctis, features a photograph taken at the Temple of Jupiter Anxur, an archaeological site overlooking the Mediterranean Sea. Captured with an iPhone, the image traces the residual presence of construction techniques and architectural forms of the Romans, where material history is transcribed through contemporary tools. The convergence of ancient and modern technology aims to reverberate the site’s lasting spiritual presence – an echo persisting in what is now perceived as a quiet, emptied space. The spiral gestures towards infinity and light. Past and present dissolve into one another, reflecting 'Quiet Pieces' meditation on sound, memory, and time.

RIYL Alessandro Cortini, William Basinski, The Caretaker

Two Drumcode mainstays, Layton Giordani & Bart Skils, join forces on rapturous but dark-edged techno thriller ‘Deadly Valentine’. Skils is globally renowned for his chart-invading take-no-prisoners techno. The Dutch producer’s last release on Beyer’s imprint was the 2024 ‘Sakura’ EP comprising collaborations with SUDO and Drunken Kong. Giordani, also a chart topper, at the forefront of an exciting new genre-bending sound, combines influences of melodic house, progressive, and indie dance with techno. His last DC outing was a recent rework of the seminal ‘Let’s Go Dancing’ from Tiga and Audion, and the otherworldly but peak time ‘Freaks At Night’ single last June.

The duo have a history of playing B2B at massive events like Drumcode, Loveland and Awakenings. This is their first collaborative standalone single (their ‘Midnight Magic’ was on Layton’s 2020 Drumcode LP). 'I was listening to Spotify and going through an indie dance rabbit hole’ Layton says. ‘I stumbled upon this track, was instantly hooked, and knew Bart was the right guy to collaborate with on this record.’ ‘Layton sent me the vocal idea and I turned it into an arrangement with a rolling groove’ Bart says. ‘After that the track was updated several times and mixed with a new vocalist for release.’ ‘Deadly Valentine’: complex, steady percussion with insistent techno beat gives a dark questioning edge to the high, sweet vocal, fast, echoing, often layered or harmonising with itself, singing the apparently romantic wedding ceremony lyrics in French & English.

News from Outcast Planet : introducing the newborn OTP006 by Lorenzo Aribone. An elegant 12" release with a deep and dark progressive essence, enriched by captivating melodies and haunting vocals. Mind Hunter EP has taken shape and it's almost ready to hit your decks !

Turbo Recordings is proud to present the revival of German techno giant Gregor Tresher’s Sniper Mode alias with the Riot Gear LP. We have been promised that this release will usher in a Golden Age of Electro in which we will serve at the right hand of the Lord for a starting annual salary of €43,000. Not bad.

Riot Gear showcases Tresher’s established production genius over 11 cuts of S-tier electro marked by menace, depth, and sharp melodic hooks. Lead single “Blinded by the Dark” is a collaboration with Dave Clarke, the most respected man in electro and perhaps just in general, and features the most punishing drop in recent memory. The album also includes standout vocal contributions from Detroit techno pioneer Jay Denham (“Sanctuary of Vices”), Miami Bass kingpin Exzakt (“Echoes From a Wasted Land”), dance-world enigma Kira (“Phantom Pain”), and Turbo favorite Perel (“Modesty Is a Virtue”). We would argue that this album represents a landmark achievement in the genre, which you have to admit would reflect pretty well on us as a label.

It is not every day that Turbo Recordings embraces the responsibility of husbanding a full-album release, and you should know that it comes as a cost. The additional listening time, track title typing, and intensive download/upload workload have pushed our dedicated staff of 90 to its breaking point. We have a lot going on over here.

2026 Repress
Sonic Groove Old Gold, the new sub-label of Sonic Groove releasing rare techno obscurities from decades past, debuts with two rare 1996/97 deep acid gems by CAT 1, originally released on Germany's Overdrive. With scarce original copies fetching very high prices online at over €100, "Revolution" and "Axion" have been updated for modern sound systems. Adam X has layered new, prominent kicks onto both tracks, bolstering the drive for today's dancefloors while keeping the original arrangements 100% intact.

KSRX003 introduces French producers Benales and Clotur. On the A-side, Benales delivers direct, groove-led tracks with solid low-end and tight drums, built for club use. On the B-side, Clotur takes over with a deeper, more hypnotic approach and a raw edge. The B2 switches to breakbeat, adding a different angle without losing flow. Straightforward tools for the floor.

The Hacker teams up with Rein for ‘We Come Alive’ on Rekids. French producer The Hacker joins forces with vocalist, songwriter, and producer Rein for ‘We Come Alive’ on Rekids, arriving 19th June 2026. A longstanding figure within the underground, The Hacker helped shape the early electroclash movement through his analogue-heavy sound and influential releases on labels including Turbo Recordings and Dark Entries, while Rein has built an international reputation through a darkwave-influenced sound that blurs underground and crossover electronics, alongside releases on Boysnoize Records and live appearances with Front 242 and Nitzer Ebb.

Built as a tribute to the dance floor “We Come Alive” explores the feeling of liberation and connection that only exists late at night. Think an Alison Moyet-inspired vocal over stripped-back machine funk somewhere between LFO and Kraftwerk.” - The Hacker & Rein

The Hacker & Rein’s ‘We Come Alive’ pairs sharp, angular rhythms with punishing low-end pressure as acid lines twist through scintillating percussion and jacked-up drums. Amid the machine-heavy intensity, Rein’s vocals cut through the mix with clarity and emotion, lending a euphoric edge to the track’s raw, strobe-lit energy.

JKS is back on his own imprint with Temples, opening a different chapter of his sound. Across three original tracks, he explores a more melodic and expansive direction, while keeping the raw rhythmic energy and distinctive percussion that have always defined his productions. Processed instruments, playful synth lines and organic textures come together with a sense of openness and curiosity, always anchored in movement and groove. Alongside the originals, three remixes by Aloka, A Strange Wedding and Olympe4000 extend the scope of the release. Each artist brings their own sensibility to the project, reinterpreting the material in their own language and broadening the spectrum of both the record and the imprint. Together, they highlight different facets of JKS’s influences while keeping a shared sense of drive and tension. The result is a collection that balances movement and emotion, precision and spontaneity. Deeply rooted in the dancefloor, yet unafraid to venture beyond familiar boundaries, the release captures an artist and a label continuing to evolve while staying true to their core.

One of the biggest underground rave anthems of the early 90's produced by Gordon Matthewman (Dj Edge) and Doug Osbourne (Sourmash).

The track perfectly bridged the gap between early 90s UK rave, European hard trance, and sinister warehouse techno. It is instantly recognizable by its slow-building, intense tension, heavy pounding kick, and the stark, ominous, distorted synth stabs that cut through the eerie acid lines.

With its massive dancefloor appeal, it was quickly snapped up for major compilations, notably appearing on the highly influential Reactivate 8 compilation put out by React Records. Original vinyl pressings on the iconic XVX label remain highly sought after by old-school electronic music collectors worldwide. This is your chance to own this Rave Classic on an official Repress from the XVX Label.

Terence returns with a new five track EP. This release confirms his instinct for creating effective dance floor tracks, that move between mental tension, raw energy and hypnotic sound.

Following the launch of the SOMA35 project with a celebration of Soma’s enduring catalogue, SOMA35.2 turns its attention to one of the defining releases in Soma Records history—Surgeon's seminal 1996 EP, Muggerscum Out. As Soma Records continues its 35th anniversary celebrations, the SOMA35 series shines a light on the records that helped define not only the label's identity, but the evolution of techno itself, creating a dialogue between the label's past, present and future. Originally released at a pivotal moment in UK techno, Muggerscum Out captured Surgeon at his most uncompromising. Its stripped-back intensity, industrial edge and hypnotic power would go on to become hallmarks of Birmingham techno, influencing countless artists while cementing Soma's reputation as a home for fearless electronic music. For SOMA35.2, four respected producers each take a unique approach to reimagining these timeless cuts.

Sciahri and Sublunar are proud to welcome Spanish artist Vilchezz to the family. Known for his releases on labels such as KEY Vinyl and Vault Sessions, he makes his Sublunar debut with the powerful EP Deadlock, showcasing his unique ability to seamlessly blend contemporary sound design with timeless techno aesthetics. The release opens with the title track, "Deadlock", a highly groovy cut driven by sophisticated sound design and a compelling rhythmic flow. It is followed by "Ghost In The Code", where refined textures and carefully crafted elements create a hypnotic groove that remains effortlessly engaging. On the flip side, "Lamina" explores darker territory, delivering deep, shadowy atmospheres and a more intense energy. Closing the vinyl edition is "Room101", the deepest track of the EP, a versatile and timeless tool capable of creating memorable moments at any stage of a set. With Deadlock, Vilchezz demonstrates an impressive range of moods and sonic approaches, confirming himself as one of the most exciting and versatile artists emerging in today's techno landscape.

Presenting ‘Nothing Is Lost’, A.Morgan continues his journey through high pressure, pummeling techno, this time on SIDE B. Proving the degree of his effect as well as his stylistic versatility, Morgan pulls different influences from afar to craft a record that pushes forward with a nod to the past through three powerful cuts and a remix by Yant. The EP starts with ‘Sucker Love’, appropriately named for its commanding rhythmic section while bleeding almost into house music with a hypnotic vocal loop. The track oscillates between stabs of cold dissonance and an extraverted flare, creating a natural intrigue throughout its progression. The follow up is Yant’s remix, a hyper-focused take on ‘Sucker Love’ with significant weight in the low end. Thundering percussion widens the dimension of the track, flicking through a brutal synth sequence over slithering hi-hats and claps. Yant reaffirms his understanding of uncompromising club music with this remix, creating a tunneling track fit for a concentrated peak-time set. Highlighting the B-side, A.Morgan takes back control of the record with the ‘Cloudfall’. Undulating the bass of the track, Morgan sneaks in a lurking melody that detunes throughout his arrangement, creating increasingly destabilized moments to pack intrigue in the cut. White noise whips around the production to create a storm of ambiance over a violently binary lead, underlining the undeniable effect of minimalism in techno. The EP concludes with the title track ‘Nothing Is Lost’, combining instructive percussion, biting chords, and cold vocals - as is Morgan’s custom. Here, the British artist brings a harmonic quality with the synth work that comes and satisfyingly completes the project. The embrace of the chord selection immerses the listener over a highly tuned rhythm, pushing ‘Nothing is Lost’ into a state of euphoria for the conclusion. Words by Noah Hocker

Renegade Methodz pushes deeper into the depths of real, underground Techno with its thirty-first catalog delivery, welcoming Jerical to the roster. 'Strange Patterns' is a showcase in uncompromising, machine-driven functionalism. Timeless music stamped with the Renegade Methodz seal of approval.

The robots on late-night television kept saying the future was already here. We believed it. We promised the stars that we will visit. It felt impossible. But Dimi parked a rocket in front of our house, we got in. The stars were twice as bright as we launched the opposite way, towards the underground. A1 - Dimi Angelis - Mastodon A2 - Dimi Angelis - Hollow Earth B1 - Dimi Angelis - Tertiary B2 - Dimi Angelis - Habitable Zone C1 - Dimi Angelis - Subterranean River C2 - Dimi Angelis - Megatherium D1 - Dimi Angelis - Cataclysm D2 - Dimi Angelis - Cenozoic E1 - Dimi Angelis - The Icy Web E2 - Dimi Angelis - Volcanic Tubes F1 - Dimi Angelis - Quaternary Limited numbered version of TAR-LP5 with an extra vinyl lathe disc, an extra of 3 tracks. 2x12inch + 1 lathe cut vinyl. All tracks will be available digitally. including: free digital download code with 3 extra tunes, stickered outersleeve, printed innersleeves, printed labels.

With Parallel Worlds, RFLX opens a new chapter for Eight of Cups Records, delivering a raw and focused statement built around tension and transformation.

“I wanted to avoid any form of release. With Parallel Worlds, tension becomes the language itself. I was drawn to this constant escalation, something that dissolves linear time and locks me into a different state of perception… where the drop never comes. And that’s exactly the point.”

“By removing resolution, I wanted to keep everything open: a space where perception expands and multiple realities can coexist. Parallel Worlds is not about choosing a direction, but about becoming aware that more than one is always there.”

A four-track immersive EP refusing the conventional payoff, Parallel Worlds unfolds as a continuous escalation, creating a suspended space where perception shifts and different realities begin to overlap.

The release features two original cuts alongside exclusive remixes by JOEY BELTRAM and AT-XYA.

Techno pioneer Joey Beltram strips the title track down to its raw essence, transforming it into a relentless dancefloor weapon driven by physical energy, hypnotic grooves and his unmistakable signature sound.

AT-XYA takes the opposite route, deconstructing and reshaping the original into an ethereal, cinematic journey for those fragile moments when night dissolves into morning and everything suddenly makes sense ;)

Completing the EP is Danxome, a deeper tribal-inspired cut reconnecting with the origin of the concept. In the Fon language, Danxomɛ means “in the belly of Dan”, the cosmic serpent and the origin of the world. Before parallel worlds, there was one.

Parallel Worlds started from a simple thought:
Every day, all versions of you exist. You just don’t see them all. You can stay the same, or you can shift.